NewAvat.gif
* Mirjam Nebet
This journal has turned into a place for putting up historical articles and tidbits about the sacred place of Abedjou. Even this and that about the AW Hood.
August 6 , 2007
Abedjou Main Hood Page Posted at 07:00 EST

Actually itīs very suitable in the Kemetic way of looking at it, that the reconstruction of Abedjou is being finished now. Tomorrow is the Kemetic New Year - Wep Ronpet. What better than to start afresh?

The main page looks much better now, methinks. There is just some little correction of the font to be done.

At the Temple Garden, people have begun to move in. But here is so much more to be done to the hoods, time is never enough and for every idea which gets under way, a bunch of others crop up. Ah well, on to next district...

July 30 , 2007
Abedjou: The Temple Garden is Resurrected! Posted at 10:00 EST

Finally I got time to create my district at Hood Abedjou: The Temple Garden. Thanks to help from Demetrios, Ase & Cornellia, all the pics and text is there and functioning. How I whish we could edit our own hoods....

There is even a new article, about Omm Sety who lived there for the most part of her life and better than anyone knew the temple, and played a great and determinging part in its reconstructions. She was a controversial and uncompromising lady who lived her belief no matter how odd it may seem, and for that I had the discussion thread created: Omm Sety - What To Think About All These Reincarnation Stories?.

I bought a book about her while at Abydos myself and that inspired me to that particular district. In it is told how she "remembered" whre there was once a garden attached to the buildings, and when she told the workers where to dig, it proved she was right. On the spot was found traces of a watering system and of various plants. Makes you get goose bumps, doesnīt it!

December 3 , 2006
The Fifth Festival Day Posted at 15:00 EST
Wesir is Reborn and Takes His Place in the Afterworld

The god was reborn at dawn and crowned with the crown of Ma'at. The statue of Wesir on the Neshmet bark is brought back in triumph to his temple, followed by the jubilant masses. Purifications and reinstallment of the god in his House (temple)followed and before the rites were concluded, the ritual of the 'Raising of the Djed-pillar' took place. This last part was not open to the public however.

At the closing of the festival, the pilgrims usually offered something to the god, maybe dried alluvium, a small statuette, even a shrine or, if they were rich or kings, an entire temple.

Many pilgrims also erected stela on the grounds or at the outer precincts of the temple to be able to witness the Mysteries also after they themselves had 'Gone West':

I would be among the crowd following Wesir when he appears in his final form, praising the god and singing in adoration of the beauty of the Neshmet Barqe, fetching the rudder for the boat and honouring the Great God

December 1 , 2006
The Fourth Festival Day Posted at 17:00 EST

The Fourth Day - Night Vigil

During the Night Vigil there were prayers and recitations performed before the statue of Wesir. Priests and priestesses played parts in the reenactment and actual funeral rites were also performed.

The same acting-out of events happened simultaneously within the secluded temple halls and out in the streets of the village. Probably every villager who could, and visitors and pilgrims who had travelled there for the occasion, partook. We can only guess at the crowds and the intensity when this, their most holy time of the year was celebrated.

Sometimes these passion plays are interpreted as a form of early theatre. If so, then we must remember that the reason for their existence lay outside of the profane, it was within the divine sphere of life and a means to ensure that existence continued, both for the country as a whole and for the individual.

Another thing to bear in mind when speaking of it as a form of theatre, is that there did not exist the usual dividing up of actors and audience, however interactive. Everyone played a part, everyone was an integral part of the Passion Plays, and everyone was assured the benefits from it, both in life and in the Afterlife.

And this was thanks to Wesir and - Set.

November 30 , 2006
The Third Festival Day Posted at 16:00 EST

Destroying the Enemies of the Land.

Mourning and weeping for the deceased Wesir is continued. In this nightīs reenactment, the enemies of Wesir are slain on the 'banks of Nedyet' (the tomb) and the night ends with the trial of Set before the Divine Tribunal.

The "Destroying of Enemies" were probably secluded rituals in which a serpent and an ass, symbolizing Apep and Set, were destroyed, thereby making the country safe from danger caused by these. Itīs not clear wether these animals were offered as a fact, or if there were only statues of them.

November 29 , 2006
The Second Festival Day Posted at 17:00 EST

The Great Procession of Wesir

The deceased Wesir, carried on a bark called 'Neshmet' is taken from his temple to his tomb.

The procession moves through the surrounding cemetery grounds to the tomb (it seems they take a tour out in the desert before ending up at the Osireion). The Lamentations of Aset and Nebt-Het are performed by women impersonating the goddesses, all throughout these three days.

These Lamentations are a cycle of hymns which were recited/sung by the women at specific hours during the night. There are depictions of two women seated on the ground, each holding a vase and an offering loaf. The text is long, and here is just the introduction, taken from Pap. Berlin 3008:

Recitation of blessings made by the Two Sisters in the house of Wesir Khenti-Amentiu, the great god, lord of Abydos, in the fourth month of Inundation, day 25, when the same is done in every place of Wesir, at every feast of his:

To bless his ba, steady his body, exalt his ka, give breath to the nose of him who lack breath.

To soothe the heart of Aset and Nebt-Het, place Heru fatherīs throne, and give life-stability-dominion to Wesir-Tentruty, born of Tekhao, called Persis, the justified.*

It benefits the doer as well as the gods.

This is interesting reading, it gives us the purpose of the lamentations and it also tells us that the Mysteries, or at least some version of them, were observed in "every place of Wesir, at every feast of his", by which is probably meant all over the country where there were shrines to him.

And at the end we find further instructions:

Now when this is recited the place is to be completely secluded, not seen and not heard by anyone except the chief lector-priest and the setem-priest. One shall bring two women with beautiful bodies. They shall be made to sit on the ground at the main portal of the Hall of Appearings. On their arms shall be written the names of Isis and Nephthys. Jars of faience filled with water shall be placed in their right hands, offering loaves made in Memphis in their left hands, and their faces shall be bowed. To be done in the third hour of the day, also in the eighth hour of the day. You shall not be slack in reciting this book in the hour of festival. It is finished. >

* The text is from a Ptolemeian papyrus; The Book of Going Forth By Day, belonging to a woman by name of Tentruty or Teret. Being in this book mean that the Lamentations could be used in a funerary context for a private person, at least at this period in time. Here is an article about it along with the full text.

November 28 , 2006
The First Festival Day Posted at 16:00 EST

The First Day of the Mysteries of Wesir
- The Procession of Wepwawet: (from the Ikhernofret Stela)

Wepwawet opens the way of the procession. The enemies of Wesir is struck down in a mock battle.

It seems an assault was staged at Abydos, by the 'followers of Set', who might have been of the priesthood. The villagers or pilgrims perhaps acted the 'followers of Wesir'. According to custom, the 'followers of Set' would have to be conquered. One can only guess at how these proceedings might have been acted out. We donīt know if there was a fixed number of partakers or if it was a free for all happening.

November 20 , 2006
The Passion Plays of Osiris Posted at 07:00 EST

The annual Passion Plays of Wesir (Gr: Osiris) were celebrated at Abydos in Upper Egypt during the IV Akhet, the period of the Inundation. In the modern calendar this corresponds to the end of November. It was celebrated at least from the 12th Dynasty onwards. We can get a glimpse of them through what is written on the Ikhernofret stela.

Celebration of the Mysteries



Would that I could see the Opener of the Ways in his first procession when he gleams as a god... and Heru the vigorous, who gladdens the people as he passes along the canals leading to the Great Hall


Stela at Abedjou

The Passion Plays of Wesir at Abedjou, Ancient Egypt, were held in the last month of the inundation, the fourth month of Akhet, and included eight acts. These celebrations relied on the myth of the murder of Wesir by his brother Set, and how his sister-wife Aset managed to restore him to life again. They were held at Abedjou, as that this was the traditional place where the body of Wesir drifted ashore after having been drowned in the Nile. The story of how his body was chopped up by Set and his helpers, is a later addition to the myth, which has not been found recorded before Plutharch.

The exact procedures are largely unknown. It is believed that there were great celebrations among people combined with secluded, sacred rituals performed by the priesthood inside the temple. Part of these rites were public however, and the processions which emerged from the temple were attended by masses of commoners. Perhaps the most important reason for the widespread popularity of the Cult of Wesir was the promise of eternal life to each and everyone, commoner and king alike.

Thousands of pilgrims from all parts of the Two Lands assembled yearly at Abedjou near the great temple to celebrate the mysteries. It was the desire and duty of every Egyptian to make a pilgrimage at least once in his life, to Abedjou. It is believed that people in the town divided up into two camps and acted out the murder of Wesir by Set, Asetīs sorrow and anger, her wanderings together with her sister Nebt-Het, to find her dead husband, the funeral and, finally, his resurrection as the Lord of the Dead. (The story of the dismemberment didnīt enter the picture until the Late Period, when Plutarch set it down.)

Inside the temple enclosure, secluded rituals were performed, with the priests and godservants playing the parts of the different gods, and occasionally the King himself took part. The celebrations went back thousands of years, tradition bringing the sense of stability and eternity.

They focused on the resurrection of Wesir and how he became the ruler of the kingdom of the deceased, (the 'Field of Reeds'), where the dead lived in eternity, the same life as on earth. They could do this thanks to the kingship of Wesir, and so the deed of Set was turned into benefit for all humans instead of remaining a murder of a King by a jealous brother.

The cult of Wesir and the acting out of these rituals by the priesthood became an important pendant to other rites such as the coronation and the Heb Sed Jubliee. In this way the cult of Wesir helped celebrate and maintain the power of kingship. By acknowledging Wesir as the king of the dead, and Heru, his son and heir as king of the living, they sought also to ensure the return of the yearly inundation, a plentiful harvest and, in fact, the perpetuation of Egypt on two planes - for the dead and for the living.

The Stela of Ikhernofret

Some information of the proceedings of the Passion Plays of Wesir can be gleaned from a Middle Kingdom stela, which describes how a high official by name of Ikhernofret is given the task by the King to organize the Festival processions.

The First Day - The Procession of Wepwawet:

Wepwawet opens the way of the procession. The enemies of Wesir is struck down in a mock battle. It seems an assault was staged by the 'followers of Set', this was to be struck down, either by priests or by pilgrims acting the 'followers of Wesir', or perhaps by both. The jackal-god Wepwawet who is walking foremost in all royal processions and conquests, goes by the name of 'Opener of the Way'. In that context he opens the path for Wesir to gain access to the tomb.

The Second Day - The Great Procession of Wesir

The deceased Wesir, carried on a bark called 'Neshmet' ('night bark which Re rides in every night) is taken from his temple to his tomb. The procession moves through the surrounding cemetery grounds to the tomb (it seems they take a tour out in the desert before ending up at the Osireion). The Lamentations of Aset and Nebt-Het are performed by women impersonating the goddesses, all throughout these three days.

The Night of Vigil.

During this nightīs reenactment, the enemies of Wesir are slain on the 'banks of Nedyet' (the tomb) and the night ends with the trial of Set before the Divine Tribunal.

The Third Day - Wesir is reborn

The god was reborn at dawn and crowned with the crown of Ma'at. The statue of Wesir on the Neshmet bark is brought back in triumph to his temple, followed by the jubilant masses. Purifications and reinstallment of the god in his House followed and before the rites were concluded, the 'Raising of the Djed-pillar' took place. This last part was not open to the public.

When the festival was concluded, the pilgrims usually offered something to the god, maybe dried alluvium, a small statuette, even a shrine or, if they were rich or kings, an entire temple.

Many pilgrims also erected stela on the grounds or at the outer precincts of the temple to be able to witness the Mysteries also after they themselves had 'Gone West':

I would be among the crowd following Wesir when he appears in his final form, praising the god and singing in adoration of the beauty of the Neshmet Barque, fetching the rudder for the boat and honouring the Great God

Sources:

Guide to Religious Ritual at Abydos - A. Rosalie David
The Ancient Egyptians; Religious Beliefs & Practices - A. Rosalie David
The Complete Temples of Ancient Egypt - Richard H. Wilkinson
Cultural Atlas of Ancient Egypt - John Baines & Jaromir Malek

March 20 , 2006
A Bit Like Home Posted at 05:00 EST

So Iīm finally back. Itīs been a long period with many troubles which I donīt want to dwell on here. Iīm just very satisfied that I can be here and that it actually feels a bit as coming home. Things are well-known but some people have shifted. Still I find old friends and that feels so good!







Calendar
Jul August 2008Sep
 Sun Mon Tue Wed Thu Fri Sat
 
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
 
SEARCH
Search "Abedjou"
STATISTICS

So far today, August 30 , 2008
- members
1 guest
1 pageview

Since this journal started on February 7 , 2004 :
21 members
5553 guests
5582 pageviews


Copyright 2002-2008 AncientWorlds LLC | Code of Conduct and Terms of Service | Contact Us! | The AncientWorlds Staff