An illustration of the entrance to the tomb of Niankhkhnum and Khnumhotep with a literal translation of their titles

Overseeing the offerings brought to their tomb

Here just inside the entrance, the two men (embracing each other) sit in chairs greeting the offering bearers and visitors to their tomb. It is a welcoming and friendly gesture to their "House of Eternity".

The two companions walking on a tour of inspection

Illustration of the two men holding hands and walking on a tour of inspection can be seen on the southern wall of the entrance hall. Niankhkhnum leads Khnumhotep by the hand into the inner spaces of their tomb.

Their names carved above the entrance to the rock-cut chamber

Here at the entrance to that part of the tomb carved into the rock, the names of Niankhkhnum and Khnumhotep are inscribed as one name over the doorway. Both have the jar hieroglyph which is the name of the potter god Khnum. The name Niankhkhnum on the right with the jar and the ankh sign is translated as "Khnum has life." The name Khnumhotep on the left with the jar and the offering sign means "Khnum is satisfied." Hotep means "peace" or "satisfaction" and is a hieroglyph of a loaf of bread on a table as an offerings for the dead. The name Khnum besides being a reference to the god Khnum also meant "joined together" and "to unite with" and later included "associates, companions, friends,"and even "house mates". Their names inscribed together above the entrance to the rock-cut chamber, may be a design element to suggest a play on words, meaning "joined in life and joined in peace", i.e. the blessed state of the dead, and may have reference to the closeness of the two and their desire to remain together in this life and the next. We cannot be sure at what point in their lives they assumed these names. Were they both born with these names or did the names come about from the close relationship they shared during their lifetime?

The banquet in the rock-cut chamber

At the far Southern end of the rock-cut chamber is the banquet scene where Niankhkhnum and Khnumhotep are shown feasting on offerings and being entertained by dancers, clappers, singers and musicians.

The doorways on the right lead into the offering chamber and to the false doors of the two men.

The embrace at the entrance to the offering chapel

It is here at the offering chapel that the most intimate portrayals appear. This scene is at the entrance, between two doorways. The identically attired manicurists are shown embracing, nose to nose. Their children surround them, (this photo is a close-up, more children are represented) but the wives are not represented here. The relationship between the two men is not clear. Egyptologists consider it "problematical." Are they brothers? Could they be twin brothers? Are they close friends or are they lovers ? Are they all of the above? A reasoned argument can be made defending any and all of these positions.

The embrace between the false doors

On the western wall of the offering chamber are two false doors. The one on the right for Khnumhotep, the one on the left for Niankhkhnum. It was thru a later intrusive robber's shaft that damaged Niankhkhnum's false door that the Egyptologists made their first entrance into the tomb. These false doors are separated by the scene pictured here of the two men embracing though not as closely as at the entrance.

The eternal embrace in the offering chamber

On the eastern wall of the offering chamber, the identical pair are shown in the most intimate embrace possible within the canons of ancient Egyptian art. Niankhkhnum is on the right grasping his companion's right forearm; Khnumhotep, on the left, has his left arm across the other man's back, tightly clasping his shoulder. Again the tips of the men's noses are touching and this time their torsos are so close together that the knots on the belts of their kilts appear to be touching, perhaps even tied together. Here, in the innermost private part of their joint-tomb, the two men stand in an embrace meant to last for eternity.