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The Thanatos from Ephesus
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The Greek Angel of Death, as he appears on a column from the ruined Temple of Artemis at Ephesus that seems to depict the Greek myth of Alcestis' rescue from Hades
 by DIonysia Xanthippos On one of the enormous pillars from the Temple of Artemis at Ephesus (325-300 BC) was carved this figure of a large-winged, languid, naked youth. He gazes down thoughtfully, even wistfully and regretfully, at something (now lost) in his left hand. It may have been a butterfly - the original meaning of the Greek word "psyche" and a symbol of the fleeting nature of life (rather than, on modern gravestones, immortal life). He was more often shown holding a pair of scales, in which the winged souls of two young warriors were placed; and he watched as one, sinking lower, had to be the one to die. Onto the young man's naked body, beside his left hip, and sheathed inside a huge scabbard, is strapped a sword. On his damaged right side and from his damaged right arm one would normally find an upside-down, extinguished torch -- a sure-fire sign of a life snuffed out. The eternally young and deathless youth in this Hellenistic sculpture is Thanatos, the Greek embodiment of Death. In earlier accounts he was a fierce, bearded, older man. But by Hellenistic times, with life gone soft and sybaritic, and many now dreaming of a lovely afterlife in Elysium, he is portrayed as he was at Ephesus, as a lovely young man. It was from Zeus that he inherited the task of deciding who would live and who would die, and for this purpose he weighed every soul in his pair of scales. Yet he was not a god, and was not worshipped as a god. He was the Angel of Death. He was welcomed by many as a healer and remover of pain. Yet he was unyielding in his purpose and unbribable. So he was also feared. Hesiod said he was hated even by the gods. Which is odd, for they could not die. But when Thanatos comes for his human victim, no man can stand against him. Only one, the mighty Herakles, was once able to stop him. Herakles was an honored guest in the house of King Admetos, whose time was now up. But his wife Alcestis had offered to die in his place. So when Thanatos came up from Hades to take Alcestis back with him, Herakles offered to repay Admetos' hospitality by fighting Thanatos to save her. In Euripides' "Alcestis" Thanatos rebuffs the strongman thus: "You talk too much. But talk will gain you nothing. All the same, the woman goes with me to Hades' house. I'm going to take her now, and dedicate her with my sword. For whoever's hair is cut by this blade's edge is consecrated to the gods below." But Herakles leaps on Thanatos and overpowers him, winning the right to have Alcestis revived. Thanatos flees, cheated of his prey.  On the Ephesus column drum (now in the British Museum), Alcestis stands in the center, while Thanatos, on her right, reluctantly releases her and lets Hermes, on her left, holding his wand or caduceus, guide her back to the world of the living, which he, as guide of the dead, gazes up at. |
Palace of the Empress of the Known Universe
~ Table of Contents ~
Early Claim
Thessalonike The Tragic Queen Icelandic History The Althingi Byzantium before Constantine: The Greco-Roman City, 658 BCE - 330 CE Odin's lament A FATEFUL CHARIOT RACE: The STORY of PELOPS and OENOMAUS The Unas Pyramid and Surroundings. Mastabas in the Vicinity of Unas Pyramid Niankhkhnum and Khnumhotep - Royal Manicurists and Prophets of Re. Horemheb and His Contemporaries Pepi I and His Consorts Pepi II - an Unusually Long Reign The Last Royal Tombs of the Old Kingdom Northern Saqqara - The Pyramids of Teti and Queens Northern Saqqara - The Mastaba of Mereruka, His Wife & Son Northern Saqqara - The Mastaba of Kagemni Benu of Iunu - The Prototype Phoenix The Ennead of Iunu I: Where Gods Were Born The Ennead of Iunu II: The Foundation for Religious Life History of Devon Northern Saqqara III: The Tomb of Ankhmahor Northern Saqqara IV: The Tomb of Akhethotep & Ptahotep Northern Saqqara V: The Mastaba of Ti Northern Saqqara VI: Early Dynastic & 3rd Dynastic Tombs Northern Saqqara VII: The Serapeum Northern Saqqara VII: Other Animal Burials Styles of Houses in Ancient Egypt I Lady of Philae, Lady of Abaton Styles of House in Ancient Egypt II Styles of Houses in Ancient Egypt III Aset in Festival Calendar of Festivals of Aset |
