
THE FABRIC OF GREECE
Textiles by the hands of Greek
women
The fabric of Greece was woven
by the hands of her women. Every square inch of cloth used over the millennia
was the product of the daily and life long work of women's hands. As a
little girl she was given her first spindle and often she was buried with
one by her side. All Greek women were expected to be able to spin and weave.
From the lowest woman of the market place to the highest of the aristocrats,
each woman spun and wove. The looms of Greece could never be still if the
need for cloth was to be met and the hands of her women could never be
idle.
In the tomb of a rich and important woman excavated at
Alaca Höyük in central Turkey, amidst all the fine jewelry was
found a spindle made of gold and silver. The tombs is dated to the early
bronze age ( mid third millennium ). Spinning and weaving was already a
part of gender roles; it remains so to this day.
It is difficult to imagine the amount of labor devoted
to the production of clothing in ancient Greece. If you look in your closet
and around your home at the thousands of yards of fabric and consider the
time which would be required to spin the yarns and weave the cloth standing
at a loom, you shall only just begin to realize the life of a woman in
ancient Greece.
In a society in which the activities of a woman were greatly
restricted, spinning and weaving must have provided some relief from the
tedium of confinement, as well as an opportunity for social gathering.
Larger and more complicated pieces require the cooperative efforts of several
women at once. An analysis of a complicated piece of fabric of the neolithic
period in Switzerland proves that it was made by three women working on
it at the same time and the great peplos woven annually for the statue
of Athena took nine months of cooperation by a team of women who produced
the 24 square feet of graphic tapestry. To this day, it is common in rural
areas of eastern Europe for groups of women to come together in the winter
months to weave elaborately patterned fabrics just as in older times women
found companionship in the quilting bee.
It should be pointed out that the kind of weaving required
of a woman depended very much upon her social status. As Penelope spent
her days weaving an elaborate decorative tapestry, somewhere in that house
lesser women had to be toiling at the many yards of plain cloth needed
to maintain her lifestyle.
The creation of fabric is a time consuming and labor intensive
activity. Raw wool shorn from sheep and delivered to the woman's door is
just that, raw wool. From a pile of animal hairs to a fine fabric is a
long and difficult journey which begins with cleaning the wool. All burs
and foreign matter are removed by hand. Now the wool must be thoroughly
washed to remove the dirt and animal fluids which coat the fibers. Once
the clean wool has dried it is combed until blond untangled strands into
the fluffy sausage shape so often depicted in Greek vase paintings. This
now is the cleaned and carded wool ready to begin spinning.
The spinning wheel did not yet exist in antiquity, Yarn
was originally twisted by hand a strand at a time. The most ancient of
methods is the simplest; a length of fibers is held tightly at one end
while it is rolled against the thigh with the other hand. As the fibers
of the wool are twisted, their rough surfaces lock together to form a strand
of yarn. it is unfortunately only a few inches long and not of much use.
The obvious solution is to twist more fibers onto the end and joining the
the two lengths together increase the length of the thread. Long lengths
of yarn can be made this way. but the joining will be visible as thicker
areas in the strand. This produces a rough , nubby, coarse, cloth which
has a decorative texture , but is not very strong.
One continuous strand is far more desirable, but requires
the introduction of some ancient tools and here we encounter the spindle.
Though the spindle can be as simple as a stick, by the time of ancient
Greece, it had become a more sophisticated tool. To the end of the spindle
was added the spindle whorl, a heavy fly wheel often made of clay which
allows the spindle to twirl like a top and thus twist the strands.
A second tool is necessary to spin in the ancient Greek
manner and this is the very symbol of woman, the distaff. Again, it is
little more than a long rod upon which a good supply of wool is attached.
It is with these two small and light weight hand tools
that all of the many miles of woolen thread in Greece were made. With these
simple things the women of Greece clothed and decorated Hellas. Indeed,
to this day, many women of Greece continue to use the spindle and the distaff.
I can state empirically that the task is not as easy as
it sounds. Some years ago, in researching this subject, I assembled all
the needed materials and attempted to spin. This is an acquired skill which
requires many hours of practice to perfect. Holding the distaff with the
wool in one hand, you must begin a thread by hand and then giving the spindle
a twirl, drop it. As it continues to spin, you feed the fibers onto the
developing strand from the distaff at a perfectly even rate in order to
produce a long and regular thread. The way the fibers are prepared and
arranged on the distaff and the and the rate at which they are added to
the thread will dictate the kind of thread produced allowing the spinner
to create anything from a thin strong cord to a soft fluffy yarn.
When you have spun enough thread, and that is a prodigious
amount, you must then ply the threads before you can use them as they will
twist themselves into an unusable tangle if you do not. This is a simple
task. Two lengths are merely twisted together in a direction opposed to
the original twist. This produces a thread twice the thickness of the original
which will lie flat and can be twisted upon a spool.
After all these hours of labor, you now will have part
of the thread you need to begin to weave. Part, because two distinctly
different kinds of thread are required to weave a serviceable kind of fabric.
You may start now all over again. If, like most, you have made the weft
threads first, you must now begin to spin the warp threads.
The warp of the fabric consists of thinner, stronger threads
which run horizontally through the cloth. Being thinner they are stronger
as they are more tightly twisted. This provides the strength need to make
the fabric more durable.
After you have created all the thread required, you may
proceed to build the loom to the proper size of the cloth. In ancient Greece
the most common type of loom was the vertical loom attached to the wall
or hung from the rafters. in its simplest form it is merely a rectangular
frame to which the weft threads, each cut to the proper length, are attached.
groups of these threads were than attached to free swinging weights, usually
made of clay, at the bottom. Work was done standing and passing the thread,
attached to a shuttle, over and under the warp threads. This was facilitated
by the heddle, a device which raised a pre selected group of warp threads
away from the others allowing the weaver to insert a line of thread across
the entire width of the fabric in one pass. Thus, the fabric grew one thread
at a time.
The variety of weaves made possible by this simple device
is endless and then, as now, specific weavers may have developed a recognizable
signature weave as well as trading weave patterns. This we cannot know
as so little fabric has survived and no complete large pieces. With the
production of cloth being so labor intensive, garments would have been
patched and repaired, used and reused, until they were no longer salvageable
and even then some might have been unwoven to use the tediously made thread.
The production of cloth would remain the responsibility
of women for 20,000 years. during which countless millions of women were
to devote a large part of their lives to the task. it would not be until
the industrial revolution and the building of giant steam powered looms
that women would even begin to be freed from the spindle and the loom.
In early medieval times, the introduction of the spinning wheel, possibly
from China, would speed up the process, but still women gave much of their
lives to spinning and weaving. In many parts of the world today women are
still at looms much like the ones from which they fashioned the fabric
of Greece.
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